Speaker Guides

Top Media and Entertainment Keynote Speakers for 2026

Top Media and Entertainment Keynote Speakers for 2026

Expert recommendations for the top media and entertainment keynote speakers for 2026.

Introduction


Few industries are experiencing more simultaneous disruption than media and entertainment. Artificial intelligence is reshaping how content gets created. Streaming, social media, gaming, podcasts, and creator-led platforms are competing for the same finite pool of attention. Audiences are moving fluidly across channels, while traditional distinctions between media companies, technology companies, creators, and entertainment brands continue to blur.


Deloitte’s 2026 Media and Entertainment Industry Outlook highlights AI, cross-platform audience intelligence, creator-led content, and changing definitions of quality as major forces reshaping the industry. PwC projects the global entertainment and media market will reach $4.2 trillion by 2030, with AI-powered advertising and live experiences among the major growth engines.


That creates a very different mandate for the keynote stage. Media and entertainment audiences need speakers who understand both the business of creativity and the creativity required to reinvent the business.


The speakers below stand out for their ability to address innovation, storytelling, AI, disruption, audience engagement, culture, and the rapidly changing economics of attention.


What Media and Entertainment Audiences Want From a Keynote in 2026


The central challenge facing media and entertainment leaders is no longer simply producing more content. It is producing work that earns attention, builds fandom, differentiates in an increasingly crowded marketplace, and creates sustainable economic value.


Generative AI is lowering the cost and barriers associated with content creation while increasing the importance of differentiation, intellectual property, trust, and distinctive creative judgment. At the same time, audiences are increasingly moving between streaming, social, gaming, podcasts, live experiences, and creator ecosystems rather than remaining loyal to a single platform.


The strongest keynote speakers for this industry can therefore connect technology with humanity, data with creativity, and disruption with practical action.


Rankings Summary

Rank

Speaker

Known For

1

Josh Linkner

Innovation expert, tech entrepreneur, bestselling author, and jazz musician helping media leaders unlock creativity and navigate disruption.

2

Marc Randolph

Netflix co-founder and first CEO known for disruption, entrepreneurship, experimentation, and bringing bold ideas to life.

3

Bozoma Saint John

Former Netflix Global CMO and entertainment marketing leader known for brand building, culture, creativity, and audience connection.

4

Matthew Luhn

Former Pixar storyteller who teaches organizations how to create stories that connect emotionally and stand out.

5

Peter Guber

Mandalay Entertainment CEO and former Sony Pictures chairman known for storytelling, leadership, creativity, and entertainment strategy.

6

Duncan Wardle

Former Disney innovation executive who helps organizations build cultures of creativity and breakthrough thinking.

7

Amy Webb

Futurist and strategic foresight expert focused on AI, emerging technology, and the forces reshaping industries.

8

Kara Swisher

Veteran technology and media journalist known for incisive perspectives on AI, digital platforms, power, and disruption.

9

Scott Galloway

NYU professor, entrepreneur, author, and media personality known for analyzing technology platforms, consumer behavior, and business models.

10

Baratunde Thurston

Writer, host, technologist, and storyteller exploring AI, media, culture, and what it means to remain human in a technology-driven world.


1. Josh Linkner - Innovation and Creative Problem-Solving for a Reinvented Industry


Few keynote speakers combine creative credibility, entrepreneurial experience, and innovation expertise as naturally as Josh Linkner.


For media and entertainment organizations confronting AI, shifting consumer behavior, fragmented attention, and relentless competitive pressure, his message is particularly timely: creativity is not reserved for artists or creative departments. It is an organizational capability that can be deliberately strengthened and deployed to solve difficult problems.


Over more than three decades, Josh Linkner has worked with organizations across media, entertainment, gaming, and technology, including Disney, Comcast, Viacom, Sony Pictures, NBCUniversal, Thomson Reuters, Gannett, Activision Blizzard, and Warner Music. He is also a five-time technology entrepreneur, bestselling author, venture investor, and professional-level jazz guitarist who has performed more than 1,000 concerts.


That last credential is more relevant than it may first appear. Jazz improvisation gives Josh Linkner a distinctive lens on creative performance: mastering fundamentals while remaining agile enough to experiment, respond in real time, and create something original. Those same capabilities are increasingly essential for media organizations operating in an environment where technology and audience expectations change almost continuously.


His keynotes - including Find A Way™, Big Little Breakthroughs™, The Innovative Leader™, Innovation in the Age of AI, and The Music of Business - give audiences practical frameworks for increasing creative output, solving problems differently, and turning disruption into opportunity.


Best for: media and entertainment leadership conferences, executive summits, company kickoffs, innovation events, gaming conferences, creative leadership meetings, and organizations navigating AI-driven transformation.


2. Marc Randolph - Disruption From the Co-Founder of Netflix


Few people have had a more direct role in reshaping modern entertainment distribution than Marc Randolph.


As the co-founder and first CEO of Netflix, Randolph helped build a company that fundamentally changed how audiences discover and consume entertainment. His career also includes founding or co-founding multiple other startups, investing in emerging companies, and advising entrepreneurs.


His keynote work centers on innovation, entrepreneurship, corporate culture, disruption, and the process of turning uncertain ideas into real businesses. That makes him particularly relevant to media organizations wrestling with changing distribution models, experimentation, new ventures, and the need to challenge long-held assumptions before competitors do it for them.


Best for: streaming conferences, entertainment executive meetings, innovation summits, digital transformation events, and audiences focused on entrepreneurship and disruption.


3. Bozoma Saint John - Brand, Culture, and Audience Connection


Bozoma Saint John brings a rare combination of entertainment, marketing, cultural, and brand-building experience.


Her career has included senior leadership positions at Netflix, Endeavor, Apple Music and iTunes, Uber, and PepsiCo, giving her firsthand experience at the intersection of entertainment, technology, consumer culture, and global brands.


Saint John is especially compelling for media audiences because she challenges organizations to think beyond pure analytics and understand the intuition, emotion, authenticity, and cultural relevance behind powerful brands. Her experience building consumer connections around entertainment makes her a strong fit for organizations seeking to create deeper affinity rather than simply accumulate impressions.


Best for: entertainment marketing conferences, brand summits, culture and leadership events, consumer experience conferences, and executive audiences focused on building stronger audience relationships.


4. Matthew Luhn - Storytelling That Creates Emotional Connection


Matthew Luhn spent roughly two decades helping create stories and characters at Pixar, contributing to some of the studio’s most successful films before bringing those principles to organizations around the world.


His keynote programs translate the mechanics of great storytelling into practical lessons for business, helping leaders understand how story can improve communication, branding, leadership, and audience connection. His current work also examines the intersection of AI and storytelling and how new technologies can amplify rather than replace human creativity.


For an industry where attention increasingly depends on emotional resonance, Luhn’s expertise sits directly at the intersection of creativity and commercial performance.


Best for: film and television organizations, creative teams, content companies, marketing conferences, storytelling events, and organizations exploring AI-assisted creativity.


5. Peter Guber - Storytelling and Leadership From the Entertainment C-Suite


Peter Guber offers something few keynote speakers can match: decades of executive experience at the highest levels of Hollywood.


He is Chairman and CEO of Mandalay Entertainment and previously served as Chairman and CEO of Sony Pictures Entertainment, Chairman and CEO of PolyGram Entertainment, and President of Columbia Pictures. His producing career includes films such as Rain Man, Batman, The Color Purple, and Flashdance.


His speaking work connects storytelling with leadership, persuasion, creativity, culture, and business performance. For senior media executives, Guber can draw directly from the realities of building creative enterprises where commercial success depends on people, ideas, relationships, risk, and audience response.


Best for: senior entertainment executives, film and television conferences, leadership meetings, storytelling events, and executive audiences focused on creative leadership.


6. Duncan Wardle - Making Creativity Everyone’s Responsibility


Duncan Wardle spent 25 years at The Walt Disney Company before building a second career focused on helping organizations unlock creativity and innovation.


His work is grounded in a simple idea: creativity should not belong exclusively to designated creative teams. Organizations can develop repeatable tools that help people challenge assumptions, generate better ideas, and create differentiated customer experiences.


That message is especially useful in media and entertainment, where rapidly evolving technology can create pressure to focus almost entirely on tools while overlooking the human imagination responsible for producing distinctive experiences in the first place.


Best for: creative culture initiatives, Disney and entertainment audiences, innovation conferences, customer experience events, and teams seeking highly interactive programming.


7. Amy Webb - Strategic Foresight for the Next Era of Media


Amy Webb brings a longer-term lens to technology disruption.


She is CEO of Future Today Strategy Group and a professor at NYU Stern whose work focuses on strategic foresight and systematically identifying emerging technological and societal forces before they become obvious.


Her background is particularly relevant to media because her foresight practice originated in examining the future of news and media before expanding into technology and enterprise strategy more broadly.


For media executives trying to understand not simply what AI is doing today but how emerging technologies could reshape content, consumer behavior, distribution, and competition over the next several years, Webb provides a structured approach to uncertainty.


Best for: executive strategy conferences, future-of-media events, AI summits, board-level audiences, and organizations engaged in long-range planning.


8. Kara Swisher - Technology, Media, and the Power Shaping Both


Kara Swisher has spent decades interviewing and reporting on many of the companies and executives responsible for building the modern technology economy.


She co-founded Recode and the Code conference and today hosts On with Kara Swisher, co-hosts Pivot, and serves as editor-at-large at New York Magazine. Her work sits directly at the intersection of technology, media, AI, business, and digital power.


For media executives, Swisher offers a particularly relevant external perspective on the companies, platforms, technologies, and personalities changing how information and entertainment are distributed.


Best for: media leadership conferences, technology summits, AI discussions, executive forums, and events seeking a journalistic perspective on disruption.


9. Scott Galloway - The Economics of Technology, Attention, and Digital Business


Scott Galloway combines the lenses of professor, entrepreneur, author, investor, and media personality.


A professor of marketing at NYU Stern, Galloway has founded multiple companies and built a large media platform around his analysis of technology, business models, markets, brands, and consumer behavior.


For media and entertainment audiences, his strength lies in connecting individual industry developments to larger economic forces. His presentations can help leaders think differently about platform power, consumer attention, technology adoption, monetization, and the strategic implications of changing digital behavior.


Best for: senior executive audiences, digital media companies, advertising and marketing events, strategy conferences, and organizations focused on technology-driven business models.


10. Baratunde Thurston - Technology, Storytelling, and Humanity


Baratunde Thurston occupies an unusual position across media, technology, entertainment, and culture.


His career includes work with The Onion, The Daily Show, PBS’s America Outdoors, podcasts, digital media, and his Webby Award-winning Life With Machines project. His speaking work now examines questions surrounding artificial intelligence, technology, human behavior, and the kind of future people want to create.


His combination of storytelling, humor, media experience, and technology fluency makes him particularly effective for audiences that want to explore AI without reducing the discussion to software capabilities alone.


Best for: media and technology conferences, AI events, creator gatherings, cultural conversations, and audiences interested in the human implications of technological change.


The right speaker depends on what your organization needs the audience to think, feel, or do differently after the event.


Start With the Business Challenge


If the priority is innovation, AI, creativity, and navigating disruption, Josh Linkner brings those subjects together through practical frameworks and direct industry experience.


If the focus is disruptive business models and entrepreneurship, Marc Randolph offers firsthand lessons from Netflix. For brand and audience connection, Bozoma Saint John is particularly relevant. For storytelling, Matthew Luhn and Peter Guber bring different but complementary perspectives.


Consider Where You Are in the Value Chain


A film studio, streaming service, publisher, gaming company, advertising organization, music business, and technology platform may all technically operate within media and entertainment, but their strategic priorities can be very different.


Choose a speaker whose experience and message reflect the decisions your audience is actually confronting.


Look Beyond Inspiration


Media and entertainment already attract exceptional creative talent. A keynote should add something the audience does not encounter every day: a useful framework, unexpected perspective, proven methodology, or new way to approach an increasingly complex business problem.


That is particularly important in 2026, as generative AI makes producing content easier while simultaneously making originality, differentiation, trust, and human creativity more valuable.


Prioritize Customization


The strongest media and entertainment keynotes should feel connected to what is happening inside the industry right now.


Ask potential speakers how they customize their presentation around your organization, audience, industry segment, strategic priorities, and current market conditions. A generic keynote becomes much less valuable when the audience spends every day anticipating what’s next.


Who are the top media and entertainment keynote speakers for 2026?


Leading options include Josh Linkner for innovation, creativity, and AI; Marc Randolph for disruption and entrepreneurship; Bozoma Saint John for marketing and culture; Matthew Luhn for storytelling; Peter Guber for entertainment leadership; and Amy Webb for strategic foresight.


The right choice depends on whether the event is focused on innovation, technology, storytelling, audience growth, leadership, brand, or the future of the industry.


Who is a strong innovation keynote speaker for media and entertainment companies?


Josh Linkner is particularly well suited to media and entertainment organizations because his work combines innovation methodology with deep experience serving companies including Disney, Comcast, Sony Pictures, NBCUniversal, Activision Blizzard, and Warner Music.


His background as both a technology entrepreneur and professional jazz musician also gives him an unusual ability to connect structured business innovation with the creative process.


What topics are most relevant for media and entertainment conferences in 2026?


AI and human creativity, changing consumer behavior, audience fragmentation, fandom, new distribution models, intellectual property, storytelling, innovation culture, personalization, trust, and creative differentiation are among the most important themes.


How much do media and entertainment keynote speakers cost?


Speaking fees vary significantly based on profile, demand, event format, location, customization, and whether the speaker is a business thought leader, prominent industry executive, or globally recognized celebrity.


Rather than choosing strictly by fee, event planners should consider the audience, strategic objective, desired level of customization, and the value of having the right message delivered at the right moment.


How far in advance should you book a media and entertainment keynote speaker?


For major conferences and high-demand speakers, beginning the process several months in advance typically provides more flexibility around availability and event dates. Large annual conferences and highly date-sensitive events may benefit from starting even earlier.